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Chapter 8: Love Macabre

I don’t know whether I should feel relieved or cheated when I find under the wide-brimmed hat, the mother of all anticlimaxes: a beak doctor’s mask, the kind that medieval doctors wore during the Black Plague in Europe and what modern-day revelers sport at the Venetian Carnival. Still, I can divine the reason behind this diluted image. No shape could ever truly contain the deep and pervasive horror that Death inspires and to behold it in all its extradimensional glory is to spontaneously fry your brain.

In one fluid, memorized motion, Septimus whirls his overcoat off and into the air and a spirit steps out of a wall of monitors to assume the role of a coat-stand. This spirit is fully skeletal; tragically its head is missing so there’s nothing but its spine protruding between the shoulder-blades, making it otherwise perfect as a peg. Septimus tosses his guitar case in the same direction and the decapitated skeleton also catches this out of habit before stiffening ramrod straight like a
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